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Overview
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The MAGC program is a three semester program of 48
credits that can be completed in one calendar year. The
program is composed of four core courses (16 credits)
selected from seven core offerings (one of which is
mandatory) and six electives (24 credits.) The final 8
credits for the completion of the degree requirements
are obtained by taking an internship or writing a
thesis. |
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Course
Type |
Credits
per course |
Number
of courses |
Total
credits |
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Core |
4 |
4 |
16 |
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Electives |
4 |
6 |
24 |
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Internship/Thesis |
8 |
1 |
8 |
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Total
Credits |
48 |
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1st
Semester |
2nd
Semester |
3rd
Semester |
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2 core courses |
2 core courses |
2 elective courses |
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2 elective courses |
2 elective courses |
Internship or Thesis |
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16
credits |
16
credits |
16
credits |
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Tracks
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The MAGC Visual and Material Culture Track
is a six-course track within the master's
degree's ten courses for a total of 48
credits over 3 semesters. |
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Core Courses: mandatory
(8 credits) |
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CM5001 |
Global Communications: Concepts, Critical Approaches and Research
Methods |
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CM5060 |
Visual Culture, Theory and
Communications |
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Core Options: choose 1
from the following courses (4 credits) |
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CM5002 |
Brands and Belief |
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CM5009 |
Globalization, Memory and Visual Culture |
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CM5033 |
Media, Stuff and Values: Material Culture and Value Creation |
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CM5070 |
Media, Gender & Globalization |
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Electives: choose 3 of the
following courses (12 credits) |
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CM5005 |
Identity Formation in a Transnational World: Circulation of
Technologies of the Self |
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CM5007 |
Color as Communication in Marketing and Art |
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CM5010 |
Media, Religion and Globalization: Technologies of The Sacred |
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CM5028 |
Video Production Practicum |
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CM5037 |
The Museum as Medium |
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CM5064 |
Video News Practicum:
Writing, Reporting and Producing for Broadcast and Webcast |
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CM5065 |
Broadcast News Practicum |
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CM5066 |
Branding Practicum |
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CM5067 |
Advertising Practicum |
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CM5077 |
Communication and the Global City |
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CM5091 |
Topics
(if topic is relevant to VMC track) |
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CM5020 |
Modules
(a maximum of 2 Modules for 4 credits, if topics is relevant to VMC
track) |
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Core Options not taken as core may also be taken as electives.
Note: Remaining 4 courses (16 credits) to be selected from the
MAGC course offerings.
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Final Project: Thesis or
Internship (8 credits) |
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The MAGC Fashion Track is a six-course track
within the Master degree’s ten courses for a
total of 48 credits over 3 semesters. |
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Core Courses: Mandatory
Core (4 courses and 4 modules worth 2 credits each or 24 credits) |
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CM5001 |
Global Communications: Concepts, Critical Approaches and Research
Methods |
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CM5091B |
Fashion System |
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CM50xx |
Fashion Theory: The Body and Culture of Fashion |
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CM5091A |
Ethical
Fashion |
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CM5020 |
Modules in Fashion Studies |
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Four of the following Modules (as available –
module topics will be changed from semester to semester):
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Applied Design Thinking for Sustainability |
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Design
Thinking is a process for practical, creative resolution of problems
that looks for an improved future result based around the "building
up" of ideas. The basic principles of successful design team
collaboration and creative process will be analyzed and considered
for their applicability to non-design based disciplines and projects
for sustainable systems and strategies (environmental, social, and
economic). Case studies will be reviewed to better understand how
visual methods (design, film, digital media, art) address social and
cultural aspects of sustainability that change, educate or mobilize
communities. Students will actively participate in team-based
processes to identify specific community needs and develop future
visually-based projects that respond to those needs and encourage
sustainable practices. This intensive course module is well-suited
to students interested in sustainable-oriented projects and visual
culture. This module will be taught by the Director of European
Studies for Parson’s /The New School. |
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3-D Branding of Space: Visual Artistry in
Fashion Retail |
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This course will investigate the visual
themes and stage settings employed to make a retail space the
ultimate expression of a brand’s identity. In addition to the
analysis of formal visual elements, students will encounter readings
in retail anthropology and the psychology of shopping to inform
discussions on the means and the ends of visual merchandising.
Broader issues such as consumerism, globalization and fashion’s role
in the marketplace will also be discussed. |
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Creating a Fashion Business: Image, Identity
and Style |
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In this practicum module, students will learn
about creating strategy and brand image for a new fashion business
from Donald Potard, who was for more than 20 years the director of
the fashion house of Jean-Paul Gaultier and is the founder and
director of Agent de Luxe, an agency which represents more than 120
designers as well as leading fashion retail companies and department
stores. Madeleine Czigler, print and screen journalist, producer for
more than 20 years of Fashion File, and producer of film fashion
documentaries, will contribute media and public perception as to the
success and failure of various fashion PR and branding strategies.
Serina Baik-Luders, a young Canadian designer with experience in
France (IFM, Chambre Syndicale) and former student of Vivienne
Westwood, now resident in Germany, will present the fashion design
label tillundserina, founded in January 2010 with her partner Till
Edelmann. Based on the experience of Donald Potard and Madeleine
Czigler, and on the company profile and requirements of
tillundserina, students will develop projects suggesting appropriate
image, branding, positioning and PR strategies for this new fashion
business. |
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Paris Style, An Emerging Designer Pop-up
Store |
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This project will focus on the communication
concept and implementation of a pop-up store in Paris. A pop-up
store is a retail manifestation that unexpectedly pops-up, drawing
consumers through its doors by word-of-mouth and social media
sources. The concept of the pop-up store is to surprise consumers
with temporary “performances,” guaranteeing exclusivity for designer
collections due to the limited time span. The Paris Style store will
be based on a “slow fashion” concept, SF Style, which was initially
created in San Francisco, California. This concept was a pop-up
store that was designed and merchandised like a department store
featuring emerging designers from sportswear to luxury wears with a
resident DJ to entertain clients. SF Style’s core message was
centered on the idea that local fashion is both sustainable and
fashion forward. The Paris Style pop-up store will have the same
core message and will open the week before la semaine de haute
couture in Paris in 2012 for three weeks. This course will require
students to: 1) Analyze San Francisco’s SF Style Pop-up store
concept from a media and global communication’s perspective
(extrapolating the pros and cons of the event/concept). 2) Create a
new and improved global communication campaign for Paris Style based
upon the original SF Style concept incorporating all types of media-
traditional, social, and digital. 3) Present the Paris Style concept
in a PowerPoint presentation. |
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Ethical Fashion |
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We live in an increasingly visual world, one
where appearance is more than superficial and where design takes on
an ethical dimension. This module will introduce students to the
interstice between design and ethics through the lens of fashion.
Students will explore the relationship between design and
philanthropy at the Liz Claiborne Foundation, and then apply the
construct of ethical design to the business of fashion. Is it
possible to convince a large, moderately educated population with
limited financial means to purchase well-designed clothing that is
produced in factories which respect human rights and environmental
norms? Can the ethical message be designed into the clothing itself,
or must it remain an outlying factor, promoted through advertising?
Students will examine these questions and test their creative skills
with one of the leading designers in the United States. |
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Asian Fashion Communication |
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The development of emerging countries is
changing the worldwide fashion business. Along with the opening of
new markets, local brands become global, and need to expand in
western countries. |
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Day 1:
FASHION AND GLOBALIZATION |
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Asian economic development and the rise of local fashion players.
The middle class and the need for fashion and luxury. Main local
fashion brands (designers brands, producers' brands, retailers'
brands), from luxury to mass market. The need for regional and
global expansion. |
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Day 2:
FASHION AND COMMUNICATION |
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Perception of Asia in the West, a short overview. Analysis of
communication strategies of Asian fashion and cosmetics brands
(Vivienne Tam, Alexander Wang, Shiseido, Yamamoto, Sulwhasoo
(Korea), Uniqlo, Esprit (HK), etc...). Communication players (tv,
press, advertising (example of Dentsu advertising group...). |
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Day 3:
WORKSHOP AND APPLICATION |
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Analysis of a fashion brand communication strategy in groups.
Brainstorming and recommendations. Presentation at the end of the
day on Powerpoint. A more thorough research is to be completed for
the following month. |
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Fashion and the Veil
Fashion and Cultural Branding
Digital Fashion: Blogs, Websites, and Brand
Presence
Fashion Spaces: Cities, Shops, Street Style
Luxury and the French Fashion System
Retail Fashion and the Department Store
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Core Options: choose at
least 2 of the following courses (8 credits) |
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The remaining courses may also be taken as general electives. |
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CM5002 |
Brands and Belief |
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CM5033 |
Media, Stuff and Values: Material Culture and Value Creation |
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CM5091 |
Fashion Journalism, PR, and the Digital Turn |
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CM5066 |
Branding Practicum |
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CM5069 |
International Public Relations Practicum |
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CM5068 |
NGO Practicum |
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CM5063 |
Sustainable Development Practicum |
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Electives: choose 2 of any
other MAGC course offerings |
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Final Project: Thesis or
Internship (8 credits) |
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