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FM_CM110 |
Films
and their Meanings |
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CM_FM119 |
Principles of Video Production |
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FM_CM218 |
Writing Fiction for Television |
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FM225 |
Set Design in Cinema |
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FM_CL228 |
The Art of Screenwriting |
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FM_CM232 |
Paris Documentaries |
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FM238 |
Producers and Producing |
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FM275 |
Introduction to the History and Analysis of Narrative Film I: From Méliès through the Hollywood Studio Era and World War II |
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FM276 |
Introduction to the History and Analysis of Narrative Film II: From 1945 to the Present |
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FM280 |
Film Directors: Orson Welles and His Inheritors |
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FM281 |
Film Directors: Alfred Hitchcock |
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FM282 |
Film Directors: Tarantino and His Many Fathers |
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FM286 |
Film
Directors: The American New Wave, 1967 - 1979 |
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FM290 |
Film Genres and Topics: Film Noir |
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FM291 |
Film Genres and Topics: The Western |
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FM292 |
Film Genres and Topics:
Women and Film |
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FM293 |
Film Genres and Topics:
Cinema and Poetry |
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FM294 |
Film Genres and Topics: The Documentary |
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FM_PL295 |
Film Genres and Topics:
Philosophy and Film |
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FM300 |
Topics in
Film Studies |
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ES_FM300 |
Topics: The Film Culture of Europe's Cities |
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FS_FM311 |
Issues in Contemporary French Film and Literature |
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FM327 |
Film Theory and Criticism |
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FM330 |
Directors and Directing |
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FM338 |
The Pragmatics of Producing |
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FM339 |
Directing Fiction |
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CL_FM348 |
Shakespeare and Film |
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FM363 |
Making a Documentary |
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FM_CL369 |
The Aesthetics of Crime Fiction |
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CM_FM372 |
German
Cinema |
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FM373 |
Asian
Cinema |
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FM374 |
Italian Cinema |
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FM375 |
East European Cinema |
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FM376 |
Arab Cinema |
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FM_FS377 |
Du Livre ŕ l'Image |
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FM378 |
Iberian and Latin American Cinema |
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FM_FS379 |
Prostitution and Cinema |
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FM381 |
The Editing Process |
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FM_FS386 |
French Cinema: La Nouvelle Vague |
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FM_FS387 |
Paris Cinema |
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FM396 |
Junior
Seminar |
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